This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
Wilhelmina Barns-Graham Trust
The Wilhelmina Barns-Graham Trust was established by Scottish artist Wilhelmina Barns-Graham in 1987. The trust aims to foster, protect and promote the reputation of Barns-Graham as well as supporting and inspiring art and art history students through the provision of bursaries and scholarships.
The Artist’s Life and Legacy
Wilhelmina Barns-Graham, known as Willie, was born in St Andrews, Fife on 8 June 1912, the eldest child of Allan Barns-Graham and his wife Wilhelmina Meldrum.
Willie showed very early signs of creative ability which could safely be dismissed by her parents as mere diversions of childhood. But the sensations of artistry were too deeply imprinted to go away. (Douglas Hall, WBG Trust, The Artist.)
By the time she was a senior pupil at St Hilda’s School in Edinburgh, Willie had her heart set on becoming an artist, and with support of an aunt, she was eventually able to attend the Edinburgh College of Art.
After Willie graduated in 1937, she relocated to St Ives, where so many of the advanced talents in Britain had gathered. She took out a studio at the then ‘School of St Ives’ in Porthmeor Studios where she worked until her death.
Throughout her early years in St Ives, Barns-Graham was introduced to leaders of the modern artists, such as Ben Nicholson, Barbara Hepworth and Naum Gabo, and after the end of the war a new wave of painters known as the St Ives School formed, including Peter Lanyon, Terry Frost, Bryan Wynter and Roger Hilton. The St Ives scene became competitive at this time but after Barns-Graham met her husband, poet David Lewis in 1949 (married until 1963), the following ten years saw the development of Barns-Graham’s as a modern painter.
Throughout the 1960s and 1970s, Willie continued her career and life, dividing her time between St Ives and St Andrews. Her work did not falter but it changed direction, now employing hard-edged geometric and linear forms. Her capacity to make them serve the purpose of expression was unique. Never static, her forms are always in motion across the surface. (Douglas Hall, WBG Trust, The Artist.)
During her final years, from the late 1980s to her death in 2004, Willie created some of her most triumphant and beautiful work, spanning line, colour, shape and calligraphic brushwork, showing the talent of a vastly experienced painter. She also added screen prints which introduced her vibrant work to a new market.
Wilhelmina Barns-Graham died on 26 January 2004, and she was made CBE in 2001.
The Wilhelmina Barns-Graham Trust
By her Will, Barns-Graham set up a charitable trust for the better preservation of her artistic legacy, and to provide bursaries for art students such as she herself received in her youth.
The Trust exists to enhance the reputation and understanding of Wilhelmina Barns-Graham as one of Britain’s most significant 20th century artists, and through her legacy support young people and other individuals to fulfil their potential in the visual arts.
Now, thanks to funds from The Trust as well as the Roy Ray Legacy Fund, St Ives School of Painting has established an Emerging Artists Bursary for up and coming Cornish artists aged 19-25.
Find out more about the Bursary and how Wilhelmina Barns-Graham is continuing to bring through some of the most exciting talent in Cornwall via the link below.
3/2/2025
Share on
Related Stories
Joan Eardley: The Forgotten Artist
Children from Glasgow’s slums, bleak seascapes, village fishermen at work … the vibrant visions of Joan Eardley are finding a new following. Written by Frances Spalding for The Guardian Joan Eardley, who died aged only 42 in 1963, is barely known in England. In 2007 the National Galleries of Scotland mounted a full retrospective, which attracted a...
What to expect from a still life drawing class
We are fairly experienced when it comes to life drawing, in fact our weekly regular life drawing classes can be dated back to the early 1970s!
Give the Gift of Art
Are you pondering on what to get your creative loved ones this Christmas?
What about an unforgettable experience, which will leave them feeling creatively inspired as we go into the new year.